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Leoni Hazel
Leoni Fabric
Leoni Hazel has a softly muted taupe-grey tone, shown here through a close, even weave with a subtle crosshatched surface. Its quiet colour shifts gently between warm brown-grey and cooler grey in the light.
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See this fabric on Romo's own site, then order it through us.
About this fabric
The surface is made distinctive by fine intersecting threads, creating a restrained linen-like texture without a pronounced printed motif. Hazel sits between taupe and grey, with enough warmth to prevent the colour feeling stark while retaining a calm, architectural neutrality. The compact woven appearance gives the fabric a versatile visual weight for upholstery or drapery, depending on the intended finish.
How to use it
Use Leoni Hazel to soften darker timber, stone or charcoal upholstery, or repeat its warm taupe-grey tone across relaxed curtains and neutral seating. Its finely textured surface also works well when layered with boucle, linen-look plains or deeper brown accents.
Use this softly grounded taupe-grey weave to add quiet texture to seating, curtains or layered neutral schemes.
More from Leoni
The same book, other colourways.
Leoni Cypress
Leoni
Leoni Delft
Leoni
Leoni Egret
Leoni
Leoni Feather Grey
Leoni
Leoni Glacier
Leoni
Leoni Gunmetal
Leoni
Leoni Heron
Leoni
Leoni Hessonite
Leoni
Leoni Ice Blue
Leoni
Leoni Indigo
Leoni
Leoni Jasmine
Leoni
Leoni Magnesium
Leoni
Pairs well with
Leoni Hazel is a quiet cloth, so it carries a pattern beside it: one of these on the curtains and this on the chair. Mixed across the houses we hold, which is the part a single supplier's book cannot do.
Paint that goes with it
Two ways to take the room. Both colours are from houses we hold, so a pot can come off the same order as the cloth. Screens shift colour, so treat these as a direction and bring the cloth to the shelf before you buy the paint.
To sit quietly behind it
Raw Umber
Zoffany · #877d73
To stand against it
James White
Farrow & Ball · #e9e7d8
Other taupe fabrics
Across the houses we hold. See all 4,766.
