Close-up of beige tweed with dark green zigzags and muted red lines

Tap the swatch to see it full screen. Colours on a screen are a guide, not a match, so come and feel the real cloth.

Art of the Loom

Yorkshire Tweed Colour Seven

This close-up shows a warm oatmeal-beige ground broken by dark green and charcoal zigzags. Fine muted-red lines run across the compact tweed, adding a measured check-like rhythm.

oatmeal, green and red textured small relaxed upholstery

Ask Simon about this fabric

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See this fabric on Art of the Loom's own site, then order it through us.

About this fabric

Colour Seven is visibly a warm, oatmeal-beige tweed with a closely packed, nubby surface. Narrow dark olive-green and charcoal-looking strokes create dense zigzags, while thin muted-red bars cross the field at intervals. The close weave gives the cloth a dry, substantial appearance suited to upholstery. No composition, width, rub test or performance feature is supplied for this colourway, so those details are not stated here.

How to use it

Use this warm oatmeal colourway on an upholstered armchair, footstool or dining seat, balancing its dark green depth with timber, olive textiles and restrained red accents.

Pair the warm oatmeal ground with natural wood, olive accents and muted red details for a comfortably layered scheme.

Art of the Loom Yorkshire Tweed Fabric

Specification

Composition: 100% Wool
Vertical repeat: 8.2cm
Horizontal repeat: 6.8cm
Rub test (Martindale): 35,000 rubs
Suitable end use: Curtains & General Domestic Upholstery
Width (cm): 150cm

Specification as published by Art of the Loom. We will confirm the current details with them before you order.

Made up by us

Every metre we order is cut, sewn and fitted in our own Heybridge workshop, with Simon over every stage. Reupholstery, bespoke pieces, curtains, blinds and headboards.

More from Yorkshire Tweed

The same book, other colourways.

Muted taupe-grey herringbone weave with rust and blue flecks

Yorkshire Tweed Colour Eighteen

Yorkshire Tweed

Olive-brown tweed with burgundy, charcoal and mustard plaid stripes

Yorkshire Tweed Colour Eleven

Yorkshire Tweed

Olive-grey tweed with fine rust, blue and burgundy windowpane checks

Yorkshire Tweed Colour Six

Yorkshire Tweed

Muted olive-grey tweed with rust windowpane checks and pale vertical lines

Yorkshire Tweed Colour Ten

Yorkshire Tweed

Blue-grey herringbone tweed with charcoal, pale grey and fine red checks

Yorkshire Tweed Colour Thirty One

Yorkshire Tweed

Dark brown herringbone tweed with rust stripes and subtle teal plaid lines

Yorkshire Tweed Colour Twelve

Yorkshire Tweed

Muted olive-grey tweed with narrow blue windowpane checks and flecked texture

Yorkshire Tweed Colour Twenty

Yorkshire Tweed

Blue-grey tweed check with rust and teal windowpane lines

Yorkshire Tweed Colour Twenty Eight

Yorkshire Tweed

Blue-grey tweed with fine herringbone texture, cream flecks and rust accents

Yorkshire Tweed Colour Twenty Five

Yorkshire Tweed

Charcoal grey herringbone tweed with muted blue and coral horizontal flecks

Yorkshire Tweed Colour Twenty Nine

Yorkshire Tweed

Charcoal-grey nubby tweed with large mustard-gold windowpane checks

Yorkshire Tweed Colour Twenty Seven

Yorkshire Tweed

Olive-brown herringbone tweed with vivid pink windowpane checks and fine woven texture

Yorkshire Tweed Colour Two

Yorkshire Tweed

See the whole collection

Pairs well with

Yorkshire Tweed Colour Seven is a quiet cloth, so it carries a pattern beside it: one of these on the curtains and this on the chair. Mixed across the houses we hold, which is the part a single supplier's book cannot do.

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Paint that goes with it

Two ways to take the room. Both colours are from houses we hold, so a pot can come off the same order as the cloth. Screens shift colour, so treat these as a direction and bring the cloth to the shelf before you buy the paint.

To sit quietly behind it

Sheldon

Coat Paints · #6b5545

To stand against it

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Coat Paints · #d9cdb6