Pale blush pink plain woven fabric with a soft matte natural texture

Tap the swatch to see it larger. Colours on a screen are a guide, not a match, so come and feel the real cloth.

Jane Churchill

Reece Pale Pink

Name: Reece Pale Pink
Brand: Jane Churchill
SKU: J0268-38

Reece FabricJ0268-38

Reece Pale Pink is a quietly refined blush tone with a soft matte look and a fine natural weave visible across the surface.

pale blush pink plain none relaxed both

Ask Ruth about this fabric See it in your room

See this fabric on Jane Churchill's own site, then order it through us.

About this fabric

Woven in 70% cotton and 30% linen, this fabric has the easy, breathable character of natural fibres and a relaxed hand. The swatch reads as a very pale pink with warm beige undertones, giving it a gentle, chalky softness rather than a bright blush finish. Its plain, non-directional surface and 0cm vertical and horizontal repeat make it especially straightforward for wider applications. At approximately 142cm wide, it is a versatile cloth for clean, understated schemes where the colour does the talking.

How to use it

Use this pale pink as a softening neutral alongside limed oak, putty, or mushroom tones, where its warm blush cast will bring a quiet lift. It also layers well with washed whites and textured linens for a calm, airy room.

A soft blush neutral that works beautifully as a calm all-over upholstery or curtain fabric.

Jane Churchill Reece Fabric

Specification

Care code: Q 8 + T 3
Composition: 70% Cotton, 30% Linen
Fire code: √BM
Pattern repeat: V 0cm / H 0cm approx
Width: 142cm approx

Specification as published by Jane Churchill. We will confirm the current details with them before you order.

Made up by us

Every metre we order is cut, sewn and fitted in our own Heybridge workshop, with Simon over every stage. Reupholstery, bespoke pieces, curtains, blinds and headboards.

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See the whole collection

Pairs well with

Reece Pale Pink is a quiet cloth, so it carries a pattern beside it: one of these on the curtains and this on the chair. Mixed across the houses we hold, which is the part a single supplier's book cannot do.

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Paint that goes with it

Two ways to take the room. Both colours are from houses we hold, so a pot can come off the same order as the cloth. Screens shift colour, so treat these as a direction and bring the cloth to the shelf before you buy the paint.

To sit quietly behind it

Latte

Zoffany · #dcccbf

To stand against it

London Clay

Farrow & Ball · #736660

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