Muted sage and blue-grey vertical stripes with ivory loops and rust-red accents

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Art of the Loom

Rhone Colour 11

Avignon FabricRHONECOL11

Rhone Colour 11 combines a cool, muted sage-teal ground with slim vertical stripes and finely repeated geometric details. Ivory, blue-grey and restrained rust-red accents give the design depth without making the colourway feel bright.

muted sage teal geometric medium smart both

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See this fabric on Art of the Loom's own site, then order it through us.

About this fabric

The photographed face is arranged in narrow vertical bands, including pale ivory ladder lines, small linked motifs and subtle rust-red tracery. Its overall tone is cool and softened, with sage and blue-grey carrying most of the visual weight while the ivory details catch the eye. The surface appears lightly textured, allowing the closely spaced stripes to retain a crafted, woven character rather than reading as flat print. No composition, width, rub-test or performance specification has been supplied for this exact fabric.

How to use it

Use this colourway to add quiet pattern to a sage, blue-grey or warm-neutral scheme, particularly on a chair, bench or full-length curtains where the vertical rhythm can be seen. Rust-red accents can be picked up sparingly in cushions or smaller accessories.

A softly textured vertical stripe that brings muted sage, blue-grey, ivory and rust-red detail to upholstery or window treatments.

Art of the Loom Avignon Fabric

Specification

Composition: 95% Cotton 5% Linen
Vertical repeat: 14cm
Horizontal repeat: 8.14cm
Rub test (Martindale): 24,000 rubs
Fire document: Newchurch.pdf
Suitable end use: Curtains & General Domestic Upholstery
Width (cm): 138cm

Specification as published by Art of the Loom. We will confirm the current details with them before you order.

Made up by us

Every metre we order is cut, sewn and fitted in our own Heybridge workshop, with Simon over every stage. Reupholstery, bespoke pieces, curtains, blinds and headboards.

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See the whole collection

Pairs well with

A pattern needs somewhere for the eye to rest, so these are the plains and textures that sit beside Rhone Colour 11 without fighting it. Mixed across the houses we hold, which is the part a single supplier's book cannot do.

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Paint that goes with it

Two ways to take the room. Both colours are from houses we hold, so a pot can come off the same order as the cloth. Screens shift colour, so treat these as a direction and bring the cloth to the shelf before you buy the paint.

To sit quietly behind it

Ambleside

Little Greene · #738478

To stand against it

Joanna

Little Greene · #ebeae0