Dusty rose plain fabric with fine linen-like weave and matte texture

Tap the swatch to see it full screen. Colours on a screen are a guide, not a match, so come and feel the real cloth.

Ashley Wilde

Florenzo Vintage

Florenzo Vintage shows a soft, dusted rose tone with a gentle linen-like grain across the surface. Its quiet, matte finish gives the plain fabric a warm, lived-in elegance.

dusty vintage rose plain none relaxed both

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See this fabric on Ashley Wilde's own site, then order it through us.

About this fabric

Woven in Belgium, Florenzo Vintage combines 54% polyester, 36% viscose and 10% linen for a substantial cloth with a calm, softly textured handle. The image shows a muted vintage rose shade, neither bright nor sugary, with a greyed warmth that sits comfortably between pink and taupe. At 350gsm and 490gsm linear weight, it has enough body for severe contract upholstery while still working beautifully for drapes. The 40,000 rub test underlines its practical durability, making this plain a reliable choice for heavy-use schemes.

How to use it

Use this dusty rose on a deep-buttoned chair or banquette to bring warmth without brightness. It also softens full-length curtains, especially alongside pale stone, oak or aged brass finishes.

A muted rose tone that suits tailored upholstery and softly draped window treatments.

Ashley Wilde Tuscany Book Collection Fabric

Specification

Composition: 54% Polyester 36% Viscose 10% Linen
Width: 140 cm
Rub test: 40,000 rubs
Suitable for: Severe Contract Upholstery And Drapes
Style: Plains
Weight: 350 gsm
Weight (per linear metre): 490 g/m
Country of origin: Belgium

Specification as published by Ashley Wilde. We will confirm the current details with them before you order.

Made up by us

Every metre we order is cut, sewn and fitted in our own Heybridge workshop, with Simon over every stage. Reupholstery, bespoke pieces, curtains, blinds and headboards.

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See the whole collection

Pairs well with

Florenzo Vintage is a quiet cloth, so it carries a pattern beside it: one of these on the curtains and this on the chair. Mixed across the houses we hold, which is the part a single supplier's book cannot do.

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Paint that goes with it

Two ways to take the room. Both colours are from houses we hold, so a pot can come off the same order as the cloth. Screens shift colour, so treat these as a direction and bring the cloth to the shelf before you buy the paint.

To sit quietly behind it

Mersey Sundown

Coat Paints · #ab8380

To stand against it

China Clay

Little Greene · #f7ede0