Pale alabaster cream plain fabric swatch with a soft matte surface

Tap the swatch to see it full screen. Colours on a screen are a guide, not a match, so come and feel the real cloth.

Manuel Canovas

Rivoli Albatre

Rivoli III Fabric04982-63

Rivoli Albatre reads as a very pale alabaster cream with a quiet, softly matte finish. Its almost ton-sur-on-ton surface gives the colourway a clean, light-catching simplicity.

soft alabaster cream plain none relaxed both

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See this fabric on Manuel Canovas's own site, then order it through us.

About this fabric

Part of the Rivoli III collection by Manuel Canovas, Rivoli Albatre is composed of 93% cotton and 7% modal and is supplied at approximately 140cm wide. The cloth has a plain appearance with no visible repeat, which keeps the focus on its subtle texture rather than pattern. In this colourway the tone is a warm-leaning cream with a gentle, powdery softness that feels lighter than beige and less stark than white. It should work neatly for both upholstery and drapery where a calm, understated ground is wanted, and the √CM fire code supports specification for contract-minded interiors.

How to use it

Use this shade to soften tailored upholstery, slim curtains or blind trims, especially where you want a pale neutral that still feels warmer than optic white. It pairs well with pale oak, parchment, stone and muted bronze finishes.

A calm neutral that layers easily with timber, linen and muted colour.

Manuel Canovas Rivoli III Fabric

Specification

Composition: 93% Cotton, 7% Modal
Width: 140cm approx
Pattern repeat: V 0cm / H 0cm approx
Fire code: √CM
Care code: Q 8 < T 3

Specification as published by Manuel Canovas. We will confirm the current details with them before you order.

Made up by us

Every metre we order is cut, sewn and fitted in our own Heybridge workshop, with Simon over every stage. Reupholstery, bespoke pieces, curtains, blinds and headboards.

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See the whole collection

Pairs well with

Rivoli Albatre is a quiet cloth, so it carries a pattern beside it: one of these on the curtains and this on the chair. Mixed across the houses we hold, which is the part a single supplier's book cannot do.

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Paint that goes with it

Two ways to take the room. Both colours are from houses we hold, so a pot can come off the same order as the cloth. Screens shift colour, so treat these as a direction and bring the cloth to the shelf before you buy the paint.

To sit quietly behind it

Inox

Little Greene · #dbdbd8

To stand against it

Pleat

Little Greene · #5f7a75