Cream linen with small mottled ochre botanical branches and leafy silhouettes

Tap the swatch to see it larger. Colours on a screen are a guide, not a match, so come and feel the real cloth.

Linwood

Bagatelle Mead

Name: Bagatelle Mead
Brand: Linwood
SKU: LF2344C

Bagatelle Mead combines a warm cream ground with a softly mottled botanical print in muted ochre gold. Fine branching stems and irregular leafy shapes create a close, organic repeat with a gently vintage character.

muted ochre gold botanical small smart both

Ask Ruth about this fabric See it in your room

See this fabric on Linwood's own site, then order it through us.

About this fabric

This 100% linen print pairs a warm cream ground with muted ochre-gold botanical forms, including branching stems and irregular leafy silhouettes. The small-scale pattern has a softly mottled printed appearance rather than a hard geometric repeat, giving the colourway a layered, natural depth. At approximately 137cm wide, it is specified for curtains and fixed upholstery and carries a General Domestic upholstery grade. Allow 3% shrinkage; after-care is Delicate Wash 30°C or Dry Clean, and the fabric should not be tumble dried.

How to use it

Pair Bagatelle Mead with chalky creams, pale oak and aged brass to draw out its warm ochre tone. Its fine botanical scale suits relaxed curtains as well as neat fixed upholstery in a traditional or country-inspired room.

Use the warm cream and muted ochre palette to soften traditional upholstery or bring gentle colour to curtains.

Linwood Small Prints Fabric

Specification

Aftercare: Delicate Wash 30�C, Dry Clean
Composition: 100% Linen, allow 3% shrinkage
Suitable for: Curtains, Fixed Upholstery
Upholstery grade: General Domestic
Width (approx): 137cm

Specification as published by Linwood. We will confirm the current details with them before you order.

Made up by us

Every metre we order is cut, sewn and fitted in our own Heybridge workshop, with Simon over every stage. Reupholstery, bespoke pieces, curtains, blinds and headboards.

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See the whole collection

Pairs well with

A pattern needs somewhere for the eye to rest, so these are the plains and textures that sit beside Bagatelle Mead without fighting it. Mixed across the houses we hold, which is the part a single supplier's book cannot do.

Muted ochre-gold plain woven fabric with fine crosshatch texture

Bronte Ochre

Darwin Collection

Textured ochre-gold woven fabric with fine pale flecks

Pepin Ochre

Provence Collection

Warm ochre velvet swatch with a soft brushed sheen and fine pile texture

Cosima Ochre

Cosima Velvet II

Solid muted ochre-gold woven fabric with fine textured weave

Capri ochre

Patagonia

Monza FR Ochre

Upholstery

Muted ochre-gold plain weave with a fine, softly textured surface

Allegra Daphne

Allegra

Close-up of muted ochre-gold plain fabric with fine horizontal slubbed texture

Soulful Ochre

Soulful

Orissa Silk Wallcovering Linseed

Wallcoverings

Orissa Silk Wallcovering Rattan

Wallcoverings

Textured muted gold-yellow fabric with mottled woven striations

Varallo yellow

Varallo

Muted ochre woven paisley with grey-olive scrolling detail

Cleadon Tigers Eye

Elswick

Muted ochre-gold textile with fine vertical striations and softly mottled woven texture

Silken Desert Palm

Silken

Paint that goes with it

Two ways to take the room. Both colours are from houses we hold, so a pot can come off the same order as the cloth. Screens shift colour, so treat these as a direction and bring the cloth to the shelf before you buy the paint.

To sit quietly behind it

Green Tea

Zoffany · #d3c699

To stand against it

Rowan Berry

Sanderson · #ba7053