Amatheon Ebony near-black fabric forming soft, fluid folds with subtle charcoal highlights

Tap the swatch to see it full screen. Colours on a screen are a guide, not a match, so come and feel the real cloth.

Warwick

Amatheon Ebony

Amatheon Ebony is an almost-black cloth with a soft, finely textured surface and a naturally fluid fall. Its depth shifts gently across the folds, from charcoal-soft highlights to near-black shadow.

soft ebony black plain none luxe drapery

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See this fabric on Warwick's own site, then order it through us.

About this fabric

The image shows a plain textile with no visible motif, letting the dense ebony tone define its character. Broad folds travel easily across the swatch, suggesting a fine, supple cloth with a graceful drape rather than a rigid upholstery weave. Light catches the raised curves very softly, bringing out a muted charcoal cast against the deepest black recesses. This restrained variation gives the colourway a quiet, luxe presence without introducing shine or pattern.

How to use it

Use Amatheon Ebony for full-height curtains in a room with pale stone, warm timber or brushed metal, allowing the near-black tone to frame the window with depth. Keep surrounding surfaces tactile but lighter so the cloth’s soft folds remain visible.

Use this deep ebony cloth for full-length curtains or relaxed, softly gathered window treatments where its fluid folds can add quiet drama.

Warwick Amatheon Fabric

Specification

Composition: 70% Wool, 25% Polyamide, 5% Acrylic
Width: 145 cm
Pattern repeat: Plain
Rub test (Martindale): 40,000+
Suitable for: Curtaining, Loose Cover, Upholstery
Care: Do Not Bleach, Do Not Tumble Dry, Do Not Wash, Dry Clean, Iron, Low

Specification as published by Warwick. We will confirm the current details with them before you order.

Made up by us

Every metre we order is cut, sewn and fitted in our own Heybridge workshop, with Simon over every stage. Reupholstery, bespoke pieces, curtains, blinds and headboards.

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Pairs well with

Amatheon Ebony is a quiet cloth, so it carries a pattern beside it: one of these on the curtains and this on the chair. Mixed across the houses we hold, which is the part a single supplier's book cannot do.

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Two ways to take the room. Both colours are from houses we hold, so a pot can come off the same order as the cloth. Screens shift colour, so treat these as a direction and bring the cloth to the shelf before you buy the paint.

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