Ivory chenille with irregular pale taupe abstract motifs and a fine woven texture

Cristina Marrone

Tap the swatch to see it full screen. Colours on a screen are a guide, not a match, so come and feel the real cloth.

Cristina Marrone

MUR3013

Murano FabricMUR3013

MUR3013 has a pale ivory ground overlaid with softly broken taupe forms, creating a light, textural pattern with a gentle woven depth. The subtle contrast allows the chenille surface to remain the focus.

ivory taupe texture abstract medium smart upholstery

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See this fabric on Cristina Marrone's own site, then order it through us.

About this fabric

This Murano chenille combines acrylic, polyester and viscose, with the fine horizontal weave visible between the irregular taupe motifs. Its ivory base reads clean and airy, while the muted taupe markings add enough depth to prevent the colourway from appearing flat. At 138cm wide, it is supplied for domestic-grade upholstery and has professional aftercare requirements. The fabric meets Domestic Cig & Match flame retardancy and can be treated to Crib 5 contract grade.

How to use it

Use MUR3013 on a softly tailored armchair, headboard or compact sofa where its ivory-and-taupe palette can brighten the room without losing pattern. Pair it with warm timber, chalky walls and muted taupe or stone textiles to echo the woven markings.

A pale, softly patterned chenille suited to domestic upholstery where a light neutral is wanted.

Cristina Marrone Murano Fabric

Specification

Aftercare: Professional
Composition: Acrylic, Polyester and Viscose Mix
Fabric type: Chenille
Flame retardancy: Domestic Cig & Match but can be treated to Crib 5 contract grade
Upholstery grade: Domestic
Width: 138cm

Specification as published by Cristina Marrone. We will confirm the current details with them before you order.

Made up by us

Every metre we order is cut, sewn and fitted in our own Heybridge workshop, with Simon over every stage. Reupholstery, bespoke pieces, curtains, blinds and headboards.

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See the whole collection

Pairs well with

A pattern needs somewhere for the eye to rest, so these are the plains and textures that sit beside MUR3013 without fighting it. Mixed across the houses we hold, which is the part a single supplier's book cannot do.

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Paint that goes with it

Two ways to take the room. Both colours are from houses we hold, so a pot can come off the same order as the cloth. Screens shift colour, so treat these as a direction and bring the cloth to the shelf before you buy the paint.

To sit quietly behind it

Kent Grey

Sanderson · #bfbfbf

To stand against it

Scree

Little Greene · #595a57