Frosted blue-grey chenille with softly mottled vertical and horizontal texture

Cristina Marrone

Tap the swatch to see it full screen. Colours on a screen are a guide, not a match, so come and feel the real cloth.

Cristina Marrone

MUR3020

Murano FabricMUR3020

MUR3020 reads as a very pale, frosted blue-grey with a cool, airy quality across the swatch. Fine vertical and horizontal tonal variation gives the chenille a softly mottled surface without a distinct motif.

pale blue-grey plain none smart upholstery

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See this fabric on Cristina Marrone's own site, then order it through us.

About this fabric

MUR3020 is a chenille in a pale, cool blue-grey, with a softly brushed surface and fine, irregular tonal striations visible across the swatch. Its acrylic, polyester and viscose mix is supplied at 138cm wide and carries a Domestic upholstery grade. Domestic Cig & Match flame retardancy is specified, with treatment available to achieve Crib 5 contract grade. The near-grey tone keeps the subtle woven texture quiet and refined, making this colourway particularly suited to calm, light-filled upholstery schemes.

How to use it

Use this frosted blue-grey on a sofa, headboard or occasional chair where its cool tone can soften warmer wood and sit comfortably alongside chalky whites, silvered neutrals and pale blue accents.

Use this cool blue-grey chenille to give upholstered seating a calm, lightly textured finish.

Cristina Marrone Murano Fabric

Specification

Aftercare: Professional
Composition: Acrylic, Polyester and Viscose Mix
Fabric type: Chenille
Flame retardancy: Domestic Cig & Match but can be treated to Crib 5 contract grade
Upholstery grade: Domestic
Width: 138cm

Specification as published by Cristina Marrone. We will confirm the current details with them before you order.

Made up by us

Every metre we order is cut, sewn and fitted in our own Heybridge workshop, with Simon over every stage. Reupholstery, bespoke pieces, curtains, blinds and headboards.

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See the whole collection

Pairs well with

MUR3020 is a quiet cloth, so it carries a pattern beside it: one of these on the curtains and this on the chair. Mixed across the houses we hold, which is the part a single supplier's book cannot do.

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Tate

Paint that goes with it

Two ways to take the room. Both colours are from houses we hold, so a pot can come off the same order as the cloth. Screens shift colour, so treat these as a direction and bring the cloth to the shelf before you buy the paint.

To sit quietly behind it

On Mute

Coat Paints · #d3d6d6

To stand against it

Hares Coat

Morris & Co. · #a0805a