Ochre and tan woven fabric with broken diagonal geometric motifs

Tap the swatch to see it full screen. Colours on a screen are a guide, not a match, so come and feel the real cloth.

Linwood

Westray Ochre

Westray FabricLF1932

Westray Ochre has a warm, earthy presence, combining golden ochre and tan yarns in a softly irregular geometric weave. Its broken diagonal marks create movement while the closely woven surface retains a grounded, tactile look.

warm ochre tan geometric medium relaxed upholstery

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See this fabric on Linwood's own site, then order it through us.

About this fabric

This Linwood upholstery fabric is woven from 30% wool and 70% cotton, with an approximate width of 137cm. In the Ochre colourway, lighter flecks and tan highlights interrupt the ochre ground, giving the surface subtle depth rather than a flat yellow tone. The small broken diagonal motifs form an understated geometric pattern that reads clearly at close range without dominating the textile. It is specified for fixed upholstery in Contract and General Domestic settings, with Dry Clean after-care.

How to use it

Use Westray Ochre on a compact sofa, armchair or dining seat where its warm golden-brown tone can sit comfortably with oak, walnut, natural linen and softened cream. The textured geometric surface also works well as a tonal counterpoint to plain cushions in ecru or deep brown.

Use this warm ochre weave to bring textured colour to fixed upholstery, especially alongside natural timber and cream accents.

Linwood Westray Fabric

Specification

Composition: 30% Wool, 70% Cotton
Width (approx): 137cm
Upholstery grade: Contract, General Domestic
Suitable for: Fixed Upholstery
Aftercare: Dry Clean

Specification as published by Linwood. We will confirm the current details with them before you order.

Made up by us

Every metre we order is cut, sewn and fitted in our own Heybridge workshop, with Simon over every stage. Reupholstery, bespoke pieces, curtains, blinds and headboards.

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See the whole collection

Pairs well with

A pattern needs somewhere for the eye to rest, so these are the plains and textures that sit beside Westray Ochre without fighting it. Mixed across the houses we hold, which is the part a single supplier's book cannot do.

Alvar Harvest

Alvar 2

Warm ochre tan textile with a softly mottled, fine woven surface

Bray Ochre

Essential Colour III - Colour

Warm antique-gold plain weave with fine vertical yarn variation and soft crosshatch texture

Moray Antique

Albany and Moray

Close-up of plain muted mustard-gold woven fabric with fine horizontal texture

Capri Recycled Mustard

Eco -Friendly Ranges

Textured mottled fabric swatch in muted ochre, taupe and stone tones

Angelica Ochre

Misc

Close-up of muted straw-gold plain weave with fine horizontal and vertical texture

Mineral Straw

Mineral

Dense warm ochre upholstery weave with pale linen flecks and nubby horizontal texture

Arran Ochre/Linen

Performance Boucle

Muted pecan-gold plain woven fabric with a small nubby texture

Evergreen Pecan

Evergreen

Astor Grapefruit

Astor

Warm mustard-gold plain woven fabric with fine linen-like texture

Hopper Gold

Hopper

Warm honey-gold textured fabric swatch with fine horizontal ribbing

Montana Honey

Arizona

Close-up of warm honey-gold textured woven fabric with subtle speckling

Montecito Honey

Jack

Paint that goes with it

Two ways to take the room. Both colours are from houses we hold, so a pot can come off the same order as the cloth. Screens shift colour, so treat these as a direction and bring the cloth to the shelf before you buy the paint.

To sit quietly behind it

Golden Honey

Sanderson · #ad8f53

To stand against it

Boulder White

Sanderson · #e4e0d7