Close-up of soft oyster ivory plain-woven fabric with a fine textured surface

Tap the swatch to see it full screen. Colours on a screen are a guide, not a match, so come and feel the real cloth.

Jane Churchill

Huxley Oyster

Huxley FabricJ0294-03

Huxley Oyster is a softly worked neutral with a quiet oyster-ivory cast and a fine, even woven surface. The colour sits just off white, with a warm, creamy softness that feels calm rather than stark.

soft oyster ivory plain none smart both

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See this fabric on Jane Churchill's own site, then order it through us.

About this fabric

This Huxley fabric is composed of 51% cotton and 49% polyester, with a width of approximately 138cm and no visible repeat, making it an easy coordinate for clean-lined schemes. In this Oyster colourway, the cloth reads as a pale, creamy ivory with a gentle warmth and a very slight textural grid visible across the weave. The surface has a restrained, tailored look that catches the light softly rather than reflecting it sharply. With care code C 8 + T 3 and fire code K, it is a practical choice for considered interiors where a neutral finish is needed.

How to use it

Use this soft oyster tone on upholstered seating, headboards or Roman blinds where a light, airy neutral is wanted. It pairs especially well with pale oak, putty plaster tones and deeper taupes for a layered, understated room.

A calm neutral for tailored upholstery or softly filtered curtains.

Jane Churchill Huxley Fabric

Specification

Composition: 51% Cotton, 49% Polyester
Width: 138cm approx
Pattern repeat: V 0cm / H 0cm approx
Fire code: K
Care code: C 8 + T 3

Specification as published by Jane Churchill. We will confirm the current details with them before you order.

Made up by us

Every metre we order is cut, sewn and fitted in our own Heybridge workshop, with Simon over every stage. Reupholstery, bespoke pieces, curtains, blinds and headboards.

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Huxley Oyster is a quiet cloth, so it carries a pattern beside it: one of these on the curtains and this on the chair. Mixed across the houses we hold, which is the part a single supplier's book cannot do.

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Paint that goes with it

Two ways to take the room. Both colours are from houses we hold, so a pot can come off the same order as the cloth. Screens shift colour, so treat these as a direction and bring the cloth to the shelf before you buy the paint.

To sit quietly behind it

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To stand against it

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