Soft nutmeg plain weave fabric in a dusty clay brown tone

Tap the swatch to see it full screen. Colours on a screen are a guide, not a match, so come and feel the real cloth.

Jane Churchill

Huxley Nutmeg

Huxley FabricJ0294-39

Huxley Nutmeg is a softly warmed, clay-toned plain with a gentle matte look and a fine woven surface. The colour sits between muted terracotta and toasted beige, giving it an easy, earthy warmth.

soft nutmeg clay plain none relaxed both

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See this fabric on Jane Churchill's own site, then order it through us.

About this fabric

This Huxley colourway shows a dry, tightly woven texture with a subtle crosshatch that softens the surface rather than adding strong pattern. The Nutmeg shade reads as a dusty clay brown with pinkish warmth, so it feels richer than a simple beige but quieter than a true rust. Made in 51% cotton and 49% polyester, it has a balanced handle that suits a broad range of interior schemes, while the 138cm approximate width and zero repeat make it straightforward to pattern match and cut. With no performance features noted and a fire code of K, it is a practical decorative fabric for everyday interiors.

How to use it

Use it on an armchair or banquette to bring a mellow, sunbaked note into the room. It pairs especially well with chalky whites, warm woods, and muted green accents for a grounded scheme.

A warm, versatile neutral that brings easy depth to upholstery or curtains.

Jane Churchill Huxley Fabric

Specification

Composition: 51% Cotton, 49% Polyester
Width: 138cm approx
Pattern repeat: V 0cm / H 0cm approx
Fire code: K
Care code: C 8 + T 3

Specification as published by Jane Churchill. We will confirm the current details with them before you order.

Made up by us

Every metre we order is cut, sewn and fitted in our own Heybridge workshop, with Simon over every stage. Reupholstery, bespoke pieces, curtains, blinds and headboards.

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Huxley Nutmeg is a quiet cloth, so it carries a pattern beside it: one of these on the curtains and this on the chair. Mixed across the houses we hold, which is the part a single supplier's book cannot do.

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Paint that goes with it

Two ways to take the room. Both colours are from houses we hold, so a pot can come off the same order as the cloth. Screens shift colour, so treat these as a direction and bring the cloth to the shelf before you buy the paint.

To sit quietly behind it

Pegwell Bay

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To stand against it

Inky Fingers

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