Cream toile fabric with muted ink-blue trees, animals and pastoral scenes

Studio G

Tap the swatch to see it larger. Colours on a screen are a guide, not a match, so come and feel the real cloth.

Studio G

Rivington Ink

Name: Rivington Ink
Brand: Studio G
SKU: CCF0747-01

Northwood Fabric FabricCCF0747-01

Rivington Ink combines a softly creamy ground with finely drawn ink-blue pastoral scenes. Trees, animals and scattered landscape details create a gentle toile effect with a cool, weathered character.

muted ink blue abstract medium smart both

Ask Ruth about this fabric See it in your room

See this fabric on Studio G's own site, then order it through us.

About this fabric

The pattern is printed in a muted blue-grey ink that shifts softly against the warm cream background, giving the colourway more depth than a high-contrast navy and white toile. Repeated trees, small animals and pastoral groupings are arranged across the surface, with a vertical repeat of 32cm and a horizontal repeat of 68.5cm. At 224gsm, the fabric has a versatile mid-weight suitable for both upholstery and drapery. Its usable width is 137cm, with a standard length of 40m.

How to use it

Use Rivington Ink on relaxed upholstery, Roman blinds or full-length curtains where its cool blue-grey drawing can sit against cream walls, warm oak and understated checked or plain textiles.

Pair the muted ink-blue pastoral pattern with warm neutrals, natural timber and softly aged finishes for a quietly traditional scheme.

Studio G Northwood Fabric Fabric

Specification

Horizontal repeat: 68.5 cm
Standard length: 40 m
Usable width: 137 cm
Vertical repeat: 32 cm
Weight: 224 gsm

Specification as published by Studio G. We will confirm the current details with them before you order.

Made up by us

Every metre we order is cut, sewn and fitted in our own Heybridge workshop, with Simon over every stage. Reupholstery, bespoke pieces, curtains, blinds and headboards.

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Pairs well with

A pattern needs somewhere for the eye to rest, so these are the plains and textures that sit beside Rivington Ink without fighting it. Mixed across the houses we hold, which is the part a single supplier's book cannot do.

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Paint that goes with it

Two ways to take the room. Both colours are from houses we hold, so a pot can come off the same order as the cloth. Screens shift colour, so treat these as a direction and bring the cloth to the shelf before you buy the paint.

To sit quietly behind it

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Zoffany · #e5e1d5

To stand against it

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