Close-up of a warm beige plain woven fabric with a fine matte texture

Tap the swatch to see it full screen. Colours on a screen are a guide, not a match, so come and feel the real cloth.

Ashley Wilde

Florenzo Linen

Florenzo Linen is shown here as a quiet, softly textured plain in a warm oatmeal-beige tone. Its surface reads smooth and understated, with just enough natural variation to keep the colour from looking flat.

warm oatmeal beige plain none smart both

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See this fabric on Ashley Wilde's own site, then order it through us.

About this fabric

Woven in Belgium from 54% polyester, 36% viscose and 10% linen, Florenzo Linen is specified for severe contract upholstery and drapes, with a 40,000 rub test and a 140cm width. This colourway appears as a pale warm beige with a subtle linen character, giving it a gentle depth rather than a stark, chalky finish. The fabric has a refined matte look, and the fine weave shows a soft speckled grain when the light catches it. At 490gsm, it feels substantial enough for seating while still suited to clean-lined window treatments.

How to use it

Use this shade where you want a light neutral that feels warmer than grey and more tailored than cream. It pairs naturally with timber, stone and darker accent colours, especially in relaxed contemporary or smart contract interiors.

A calm neutral that works neatly on tailored seating or simple curtains.

Ashley Wilde Tuscany Book Collection Fabric

Specification

Composition: 54% Polyester 36% Viscose 10% Linen
Width: 140 cm
Rub test: 40,000 rubs
Suitable for: Severe Contract Upholstery And Drapes
Style: Plains
Weight: 350 gsm
Weight (per linear metre): 490 g/m
Country of origin: Belgium

Specification as published by Ashley Wilde. We will confirm the current details with them before you order.

Made up by us

Every metre we order is cut, sewn and fitted in our own Heybridge workshop, with Simon over every stage. Reupholstery, bespoke pieces, curtains, blinds and headboards.

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See the whole collection

Pairs well with

Florenzo Linen is a quiet cloth, so it carries a pattern beside it: one of these on the curtains and this on the chair. Mixed across the houses we hold, which is the part a single supplier's book cannot do.

Small cream damask motif on a warm oatmeal beige woven fabric swatch

Ludlow Oatmeal

Cascata

Warm oatmeal-beige jacquard with ivory birds, flowers and dense scrolling foliage

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William Morris Weaves

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Tristram Beige

Hamlin

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Floriana Beige

Theodore

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Splendour FR Oatmeal

Charm FR

Warm oatmeal woven fabric with tiny ivory scallop arches and subtle texture

Washi Oatmeal

Harlequin x Henry Holland Fabrics

Warm oatmeal and cream checkerboard blocks with a softly matte surface

Blenets Check Oatmeal

Harlequin x Henry Holland Wallcoverings

Ashbee Natural

Campden

Close-up of warm beige herringbone weave with fine zigzag texture

Marlow Beige

Roxam

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Cestino

Solana

Warm oatmeal woven check with soft grey windowpane lines and fine texture

Clunie Oatmeal

Clunie Burn

Warm oatmeal check with charcoal grid lines and fine woven texture

Slate - Oatmeal

Misc

Paint that goes with it

Two ways to take the room. Both colours are from houses we hold, so a pot can come off the same order as the cloth. Screens shift colour, so treat these as a direction and bring the cloth to the shelf before you buy the paint.

To sit quietly behind it

Green Almond

Zoffany · #bfb8a5

To stand against it

Private Matters

Coat Paints · #9b5e45