Tobacco, slate and clay jagged velvet motif with chalky cream highlights

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Harlequin

Distortion Velvet Tobacco/Slate/Clay

Tobacco brown and earthy clay cut through cool slate, charcoal, cream and pale grey in this densely layered velvet design. The close-up reveals irregular, jagged brush-marked bands with a richly tactile appearance.

tobacco, slate and clay abstract medium luxe upholstery

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See this fabric on Harlequin's own site, then order it through us.

About this fabric

Distortion Velvet Tobacco/Slate/Clay is a substantial 416gsm velvet suited to upholstery, with a 134cm usable width. Its abstract pattern is formed from broken zigzags and pointed, ikat-like marks rather than regular geometric lines. Warm tobacco and clay accents are set against slate, charcoal and chalky cream, giving the colourway a grounded warmth tempered by cooler grey depth. The design has a 50cm vertical repeat and 44cm horizontal repeat, allowing the clustered motif to continue across upholstered surfaces.

How to use it

Use this colourway on a statement armchair, sofa or headboard where its tobacco and clay warmth can balance the cooler slate ground. Bring out the cream marks with pale timber or textured neutral cushions, while charcoal details echo the darkest points in the pattern.

Pair the cool slate and charcoal with warm timber, tobacco leather or clay-toned accents.

Harlequin Momentum 13 Fabrics Velvet

Specification

Usable width: 134 cm
Standard length: 60 m
Vertical repeat: 50 cm
Horizontal repeat: 44 cm
Threads per cm: 57.7
Weight: 416 gsm

Specification as published by Harlequin. We will confirm the current details with them before you order.

Made up by us

Every metre we order is cut, sewn and fitted in our own Heybridge workshop, with Simon over every stage. Reupholstery, bespoke pieces, curtains, blinds and headboards.

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Pairs well with

A pattern needs somewhere for the eye to rest, so these are the plains and textures that sit beside Distortion Velvet Tobacco/Slate/Clay without fighting it. Mixed across the houses we hold, which is the part a single supplier's book cannot do.

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Paint that goes with it

Two ways to take the room. Both colours are from houses we hold, so a pot can come off the same order as the cloth. Screens shift colour, so treat these as a direction and bring the cloth to the shelf before you buy the paint.

To sit quietly behind it

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To stand against it

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Distortion Velvet Tobacco/Slate/Clay

See Distortion Velvet Tobacco/Slate/Clay in your own room

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