Rosewood and burnt umber velvet with cream clay zigzag brushstrokes

Tap the swatch to see it larger. Colours on a screen are a guide, not a match, so come and feel the real cloth.

Harlequin

Distortion Velvet Rosewood/Burnt Umber/Clay

Name: Distortion Velvet Rosewood/Burnt Umber/Clay
Brand: Harlequin
SKU: HAF0410-02

Distortion Velvet Rosewood/Burnt Umber/Clay combines warm rosewood and clay with deeper burnt-umber markings in a repeated, angular ikat-like arrangement. Pale flashes interrupt the dark zigzags, giving the swatch a richly variegated look.

rosewood umber clay abstract medium smart upholstery

Ask Ruth about this fabric See it in your room

See this fabric on Harlequin's own site, then order it through us.

About this fabric

Rosewood, burnt umber and clay form a warm, earthy field, broken by cream flashes and dark plum-brown V-shaped zigzags. The surface reads as a softly lustrous velvet, while the blurred brush-mark effect gives the 50 cm vertical by 44 cm horizontal repeat an irregular, textile-like edge. At 416 gsm with 57.7 threads per cm, it has a substantial specification suited to upholstery. The 134 cm usable width and 60 m standard length provide the supplied production dimensions for planning larger upholstered pieces.

How to use it

Use this rosewood and burnt-umber colourway on a statement armchair, sofa or headboard where its warm clay ground can anchor cream, tan and dark wood accents. Its angular repeat adds visual movement without losing the enveloping depth of velvet.

Use this warm, variegated velvet to bring earthy depth and angular movement to upholstered seating.

Harlequin Momentum 13 Fabrics Velvet

Specification

Horizontal repeat: 44 cm
Standard length: 60 m
Threads per cm: 57.7
Usable width: 134 cm
Vertical repeat: 50 cm
Weight: 416 gsm

Specification as published by Harlequin. We will confirm the current details with them before you order.

Made up by us

Every metre we order is cut, sewn and fitted in our own Heybridge workshop, with Simon over every stage. Reupholstery, bespoke pieces, curtains, blinds and headboards.

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Pairs well with

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Paint that goes with it

Two ways to take the room. Both colours are from houses we hold, so a pot can come off the same order as the cloth. Screens shift colour, so treat these as a direction and bring the cloth to the shelf before you buy the paint.

To sit quietly behind it

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