Soft grey and oatmeal chenille with broken abstract forms and nubby weave

Tap the swatch to see it larger. Colours on a screen are a guide, not a match, so come and feel the real cloth.

Cristina Marrone

BER3342_2022-05-05-104521_FSQO

Bergamo FabricBER3342_2022-05-05-104521_FSQO

Bergamo is shown here in a softly weathered blend of stone grey, oatmeal and muted blue-green. Its irregular, broken abstract forms are softened by a tactile, pebbled chenille surface.

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See this fabric on Cristina Marrone's own site, then order it through us.

About this fabric

This 100% polyester chenille combines a pale stone-grey and oatmeal ground with scattered blue-green and charcoal flecks, creating gentle depth rather than a high-contrast pattern. The close woven texture gives the surface a softly nubby appearance, while the larger blurred forms remain visible across the 138cm width. Rated for domestic upholstery, it is machine washable and carries Domestic Cig & Match flame retardancy.

How to use it

Use this cool, mineral-toned colourway on a relaxed sofa, occasional chair or headboard, pairing it with oatmeal linen, pale timber and muted sage accessories. Its broken pattern can also soften stronger grey or blue-green accents without making the room feel busy.

The softly mottled stone-grey ground and muted sage accents suit relaxed domestic upholstery, especially alongside warm neutrals and natural timber.

Paint that goes with it

Two ways to take the room. Both colours are from houses we hold, so a pot can come off the same order as the cloth. Screens shift colour, so treat these as a direction and bring the cloth to the shelf before you buy the paint.

To sit quietly behind it

Norsk Blue

Zoffany · #b4b6a8

To stand against it

Hopper Head

Farrow & Ball · #505457

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