Ochre herringbone-check fabric swatch with fine woven texture

Tap the swatch to see it full screen. Colours on a screen are a guide, not a match, so come and feel the real cloth.

Jane Churchill

Marlow Ochre

Roxam FabricJ0187-05

Marlow Ochre shows a finely woven herringbone-check effect in a warm golden yellow, with tiny pale flecks that soften the overall finish.

warm ochre gold check small smart both

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See this fabric on Jane Churchill's own site, then order it through us.

About this fabric

Woven in 60% Cotton, 28% Viscose and 12% Linen, this 140cm-wide fabric has a crisp, textural handle and a subtle surface sheen that catches the light without looking glossy. The repeat is a neat V 1cm / H 3cm approx, creating a small-scale herringbone check that reads clearly from close up and as a soft overall texture from a distance. Ochre sits at the warmer end of yellow here, with a mellow, sunlit depth rather than a bright citrus note. The care code Q 8 < T 3 and fire code √CM are supplied for this exact fabric.

How to use it

Use Marlow Ochre to warm up painted timber, natural oak and pale neutral upholstery, where its golden tone can act as a soft accent. It works especially well on a tailored occasional chair, Roman blind or cushion, where the small-scale weave can be appreciated.

A warm ochre weave that brings a cheerful, tailored lift to upholstery or relaxed curtains.

Jane Churchill Roxam Fabric

Specification

Composition: 60% Cotton, 28% Viscose, 12% Linen
Width: 140cm approx
Pattern repeat: V 1cm / H 3cm approx
Fire code: √CM
Care code: Q 8 < T 3

Specification as published by Jane Churchill. We will confirm the current details with them before you order.

Made up by us

Every metre we order is cut, sewn and fitted in our own Heybridge workshop, with Simon over every stage. Reupholstery, bespoke pieces, curtains, blinds and headboards.

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See the whole collection

Pairs well with

A pattern needs somewhere for the eye to rest, so these are the plains and textures that sit beside Marlow Ochre without fighting it. Mixed across the houses we hold, which is the part a single supplier's book cannot do.

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Paint that goes with it

Two ways to take the room. Both colours are from houses we hold, so a pot can come off the same order as the cloth. Screens shift colour, so treat these as a direction and bring the cloth to the shelf before you buy the paint.

To sit quietly behind it

Vermeer Yellow

Zoffany · #ddc379

To stand against it

Boulder White

Sanderson · #e4e0d7