Dusty mauve-lilac chenille with a fine softly mottled woven texture

Cristina Marrone

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Cristina Marrone

BEL1980

Belvedere FabricBEL1980

BEL1980 has a muted mauve-lilac colour with a softly mottled chenille surface. Its pale purple tone shifts gently between pink and grey as the light moves across the cloth.

dusty mauve lilac plain none smart upholstery

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See this fabric on Cristina Marrone's own site, then order it through us.

About this fabric

This plain chenille has a fine, close texture with delicate tonal variation rather than a printed motif, giving the dusty lilac shade quiet depth. Made from 100% polyester and measuring 138cm wide, it is suitable for both contract and domestic upholstery. The surface reads softly refined rather than bright or highly saturated, making this colourway an understated choice for chairs, sofas and headboards. It is machine washable and supplied with Domestic Cig & Match flame retardancy, with the option to be treated to Crib 5 contract grade.

How to use it

Use this cool, muted mauve-lilac on a statement armchair, dining seat or compact sofa where its gentle purple cast can soften grey, chalky white and natural timber. Pair it with brushed metal or deeper plum accents to bring out the chenille’s subtle tonal depth.

A softly textured mauve-lilac chenille that brings quiet colour and subtle depth to upholstered seating.

Cristina Marrone Belvedere Fabric

Specification

Aftercare: Machine Washable
Composition: 100% Polyester
Fabric type: Chenille
Flame retardancy: Domestic Cig & Match but can be treated to Crib 5 contract grade
Upholstery grade: Contract and Domestic
Width: 138cm

Specification as published by Cristina Marrone. We will confirm the current details with them before you order.

Made up by us

Every metre we order is cut, sewn and fitted in our own Heybridge workshop, with Simon over every stage. Reupholstery, bespoke pieces, curtains, blinds and headboards.

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BEL1980 is a quiet cloth, so it carries a pattern beside it: one of these on the curtains and this on the chair. Mixed across the houses we hold, which is the part a single supplier's book cannot do.

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Two ways to take the room. Both colours are from houses we hold, so a pot can come off the same order as the cloth. Screens shift colour, so treat these as a direction and bring the cloth to the shelf before you buy the paint.

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